Answer a call together
On udansa, you can find people to join you for children's dance circles and courses where children turn musical cues into movement. That gives your next circle more gestures to try together.
By Bernhard De LucaUpdated
On udansa, you can find people to join you for children's dance circles and courses where children turn musical cues into movement. That gives your next circle more gestures to try together.
At a noisy carnival party, long explanations quickly get lost amid the music and voices. A visible invitation to respond also reaches children who don't know the lyrics yet or would rather watch at first.
Call and response means one voice starts and the others take over afterward. A song whose vocals continue without a break leaves no room for this. If you call out additional phrases over it, the children hear the recording and you at the same time. So use a suitable gap in the chorus or sing the short call yourself, at first without any recording. The group needs to be able to hear your voice clearly.
To get started right away, you can use your own little call-and-response round: You sing “Helau!”, the children answer “Helau!” and wave once. Then you sing “Hooray!”, the children answer “Hooray!” and open both hands in front of their chests. This is an example you choose yourself for practice, not a fixed song lyric. A short, consistent melody is enough. You can adapt the words to the carnival call your group uses.
The gesture goes with the call, not with every individual word in a long song. This keeps the connection between them easy to follow. For now, let the feet stay still: The principle of coordinating arms and legs separately first helps here too. You can also find the musical idea of answering one another in the sound games in tap dance for children, where the feet do most of the answering.

Speak or sing your short call, then leave an equally long space. If you're using a recording, use an existing response pause; if there isn't one, start without a device. Your call and the group's response should be clearly audible one after the other.
For example, decide that “Helau!” gets a single wave, and “Hooray!” gets two open hands in front of the chest. Perform each gesture comfortably in place. The movements should remain distinguishable even when a child makes them small.
Say: “For Helau, we wave; for Hurra, we open our hands.” Show each call with its gesture separately and let the children imitate you right away. Only start the sung round once they can clearly tell the two signals apart.
Sing “Helau!” and demonstrate the wave at the same time. Invite the children to respond with your palm open, and wave along when they say “Helau!” Wait until their response is finished instead of calling out the second greeting over them.
Now introduce “Hooray!” in the same way, then connect both call-and-response pairs. Repeat the round in the same order. If the group hesitates during the transition, briefly cue the next gesture before the call, without adding an extra movement.
In another round, leave out your cueing gesture and give only the audible cue and the invitation to respond. You’ll know it’s working when the children start the matching gesture on their own. If they’re unsure, join in again without explaining it all over again.
Announce before the next call: “This is the last round.” Let both responses ring out fully, then lower your hands. This way, everyone ends the song together, without any children still waiting for another cue.
In children's dance, you and your child can discover more ways to respond to music through sound and movement.
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That's right
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Preparation
Introduction
Closing
First, lengthen the pause, then visibly invite them to respond. Practice a call-and-response pair without music, pointing to yourself during your call and then openly toward the group. Once the changeover is clear, return to the sung call and gradually make the cue gestures smaller.
No, the recurring call words are enough for this format. You can sing the verses yourself or let the recording take over while the children listen. Don’t ask them to learn the lyrics and new movements at the same time. The recognizable chorus gives them a set moment to join in again.
Use the same calls with gestures that are comfortable to do while seated. Waving or opening your hands doesn’t require taking a step or standing up. Each child chooses how big to make the movement, even a small opening of the fingers can be the response. Show this option right away too, without making it a separate task.
Yes, a child can volunteer to take on the caller’s role once the group knows the routine. Stand beside them at first and give a quiet starting cue if needed. Keep the agreed gestures the same, and take over again if the child doesn’t want to continue. The role doesn’t require a particularly loud voice.
Model a clearly sung response at a normal volume yourself, and lower the music if needed. A competition to see which group can be the loudest encourages shouting, so avoid prompts like that. Instead, try a round using quiet voices and clear gestures before returning to the usual volume.