Find your rhythm with udansa
On udansa you will find like-minded people who share your passion, as well as suitable courses for oriental dance in your area. Discover the joy of movement and find your dance community!
By Bernhard De LucaUpdated
On udansa you will find like-minded people who share your passion, as well as suitable courses for oriental dance in your area. Discover the joy of movement and find your dance community!
Zills turn you from a dancer into a musician. With the right technique and a little patience, you will coordinate rhythm and movement completely effortlessly in time.
The small metal discs, called sagat in Arabic, are among the most fascinating belly dance instruments. They are not just an accessory, but make you as a dancer an active part of the orchestra. When you learn to play the finger cymbals precisely while your body moves fluidly, you reach a completely new level of dance control. Many beginners shy away from the coordination because arms and legs seem to have to do different things. The secret lies in internalizing the rhythms while sitting first, before you combine them with simple steps in the room. This way, the clattering quickly becomes an intuitive accompaniment to your dance.
Before you dare to make your first strikes, the cymbals must sit correctly on your hands. They are attached over the first joint of the thumb and middle finger. The elastic bands should be tight, without cutting off your circulation. For a clear, bright tone, strike the edges of the cymbals slightly offset and loosely against each other. Avoid pressing the discs flat against each other, as the tone will sound dull and choppy otherwise. Let the cymbals resonate briefly after the strike by immediately opening your fingers minimally again. This fine spring tension in the hands is the basis for every clean strike.
Pull the elastic bands over your thumbs and middle fingers on both hands. The cymbals should lie flat on the first joint and should not shift or wobble when you move your fingers.
Strike the edges of the cymbals between your thumb and middle finger loosely against each other. Pull your fingers slightly apart immediately after contact so that a bright, long-resonating sound is created.
Play an even right-left-right pattern in triple time: hit with your right hand, followed by the left and then the right again. Say the pattern "right-left-right" out loud while doing so.
Stand up and march on the spot in a steady quarter-note rhythm. Place your foot consciously on the floor with every step, while keeping your arms relaxed in the air.
Link the rhythm pattern to your steps. Play the first beat of your right hand exactly at the moment your right foot touches the floor to merge music and body.
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Preparation
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The elastic bands belong on the first joint of the thumb and middle finger, directly behind the nail bed. They must be tight enough so that the cymbals do not slip while dancing, but they must not constrict your fingers.
Always start by sitting down without any body movement. Only when your hands can play the rhythm blindly and without thinking, add simple steps while standing and slowly increase the dynamics.
A dull sound occurs if you keep the cymbals pressed together after the strike. Let the metal edges bounce off each other for just a split second and open your fingers slightly again immediately so that the metal can vibrate freely.
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