Find your rhythm with udansa
Whether you want to refine the basics of leading or try out new dance styles: on udansa you will find the right courses and like-minded people in your area.
By Bernhard De LucaUpdated
Whether you want to refine the basics of leading or try out new dance styles: on udansa you will find the right courses and like-minded people in your area.
Dancing with the Saidi cane requires a fine interplay of strength, rhythm, and physical intuition. Learn how to guide the assaya precisely, spin it elegantly, and balance it safely on your body with udansa.
The assaya is the traditional cane, usually made of bamboo, which is used in oriental dance as a central prop for the Saidi style. It is characterized by its lightness and flexibility.
Dancing with the assaya, the traditional bamboo stick, is fascinating due to the powerful dynamics and the playful ease with which the prop is moved through the air. To achieve this effect, precise handling is crucial. The stick is not gripped tightly, but balanced loosely between the thumb and index finger. This loose guidance makes it possible to implement the Saidi stick dance technique fluidly, without the muscles in the forearm cramping up. The remaining fingers serve only as a guide and gently catch the stick during quick changes of direction.
The correct hand position forms the foundation for every movement. If you grip the stick too tightly, you lose the flexibility in the wrist that is essential for the continuous spinning in oriental stick dance. Make sure that your shoulders remain low and relaxed while your arms guide the stick. Stable core tension ensures that the movements of the stick come organically from your center and do not appear isolated from the arms. If you would like to check your general posture, our guide on core tension when dancing will help you.

The dynamic spinning and circling of the assaya is one of the most spectacular elements in Saidi. The key to effortless spinning lies in the physical pivot point of the cane. To rotate the cane in a controlled manner, you need to precisely sense its center of gravity. When spinning forwards and backwards, the tip of the cane traces a horizontal figure eight in the air. This movement requires a continuous, gentle impulse from the wrist, while the forearm remains largely stable.
A common mistake when practicing is trying to force the movement with too much strength. This easily causes the cane to deviate from its vertical or horizontal path and blocks the flow of the dance. Start your training slowly and focus on using the momentum of the assaya instead of working against it. Once the rhythm is internalized, you can combine the spinning with simple steps around the room. If you want to put your technical precision in oriental dance to the test in general, take a look at our belly dance level test.
Correct
Incorrect
The assaya is not a foreign object, but the extended line of your own arms. Only when you let the stick flow, does the Saidi unfold its true power.
The crowning achievement of cane dance is the free balance on the head, shoulder, or hip. A perfect Saidi cane balance requires absolute stillness in the upper body and fine adjustment through the knees and pelvis. Before you place the cane on your head, you should determine the exact center point of the assaya. To do this, lay the cane flat on your index finger until it remains horizontally balanced. This exact point is what will later go on the crown of your head.
During the balancing phase, keep your gaze directed straight ahead, your neck long, and your cervical spine stretched. To move with the balanced cane, use soft, cushioned steps from your knees. Any abrupt jolt would cause the assaya to fall. By consciously compensating for movements, you strengthen your deep muscles and improve your overall body coordination on the dance floor. For an even better sense of your center of gravity in dance, we also recommend taking a look at the topic Activate contemporary dance center.
Control and targeted impulses in space
Active leading emphasizes the dynamics of the cane. Here, you control the assaya through targeted impulses from the wrist and guide it powerfully through the space to visually accentuate the music.
Weightless balance through body tension
When balancing, you let the stick rest on your body as if it were weightless. The movement now comes primarily from your pelvis and your knees, in order to gently maintain the balance of the assaya.
For beginners, a light, medium-thick bamboo stick that reaches about to your hip or belly button is ideal. A stick that is too heavy tires out your wrists too quickly, while a stick that is too short limits the leverage when spinning.
Make sure to consciously keep your shoulders low and perform the movement in isolation from the wrist instead of the entire arm. Regular stretching breaks for your forearms and hands also prevent painful strain during training.
Yes, balancing can be practiced excellently while standing in front of a mirror. Place the balanced stick on your head and try to shift your weight from one foot to the other without it slipping.
Belly Dance Music & Rhythms: Feel the soul of Raqs Sharqi
Instruments of Oriental music: embodying sounds in dance
What kind of belly dance music type are you? Take the quiz
Modern Belly Dance Music: Trends in Raqs Sharqi
Sword dance in belly dance: balance and safe handling
Fan Veils in Belly Dance: Dynamics and Gentle Waves
Belly dance prop mistakes: The 7 biggest pitfalls