Find your community for stretching
Whether you are looking for courses or like-minded people for joint training: on udansa you will meet dance enthusiasts who share your passion.
By Mary De LucaUpdated
Whether you are looking for courses or like-minded people for joint training: on udansa you will meet dance enthusiasts who share your passion.
If you want to shine on the dance floor with elegant bridges and backbends, you need more than just willpower. Targeted stretching of the spine and hips creates the anatomical foundation for fluid, injury-free movements while dancing with udansa.
Flexibility for Acro Dance describes the ability to guide the joints of the spine and hips through their maximum range of motion in a controlled manner. It is the physical prerequisite for aesthetic backbends and floor elements.
If you want to master fascinating backbends and fluid transitions in Acro Dance, you need exceptional mobility in your core. Anatomically, the spine is not a rigid column, but a highly adaptable system of vertebrae and intervertebral discs that can be mobilized in all directions. However, for a deep backbend, it is not enough to simply bend backwards. Only the harmonious interaction between an open thoracic spine and a flexible lumbar spine enables a harmonious curve without compression pain.
To build this flexibility for dance acrobatics, a systematic approach is crucial. Always start your routine with a gentle mobilization of the spine in all directions. Exercises like the cat-cow movement on all fours lubricate the joints and prepare the nervous system for the upcoming stretch. Only afterwards should you follow up with deeper, held stretches that gently lengthen the fascia and ligaments. If you would like to assess your physical prerequisites more precisely, the Acro Dance Level Test will help you to realistically evaluate your current mobility.
A common mistake when stretching for acrobatics in dance is assuming that the backbend comes exclusively from the lower back. Anyone trying to perform a bridge without intensely stretching the hip flexors is blocking themselves. The hip flexor, especially the iliopsoas muscle, connects the thighs to the spine. If this area is tight, it pulls the pelvis into an incorrect position and prevents you from pushing your hips fully forward in a backbend. This not only limits the range of motion, but also places excessive strain on the lumbar intervertebral discs.
Targeted hip stretching opens the entire front of the body and noticeably relieves the lower back. Effective exercises for this include the deep lunge with a lowered pelvis or the half split, which mobilizes the hip joints. If you are also interested in leg stretching, you will find valuable tips in our guide on learning the splits for adults. Only when the hips willingly give way does the bridge become an elegant, pain-free curve.
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Only when we stop forcing ourselves into a bridge, and instead give the hips time to open, does the movement become fluid and light.
The secret to an aesthetic bridge lies in the even distribution of the stretch across the entire front of the body. When you plan to learn the bridge and stretch, you should focus on a wide arch shape. The rib cage must be actively pushed upwards and forwards, while the shoulders remain aligned over the wrists. This takes the pressure off the sensitive lumbar spine and transfers it to the more stable thoracic spine. Breathe deeply and evenly into your rib cage during the stretch to support the stretching of the intercostal muscles.
For long-term backbending in dance training, consistency is more important than intensity. Never force a position that causes sharp pain. A slight, pulling sensation in the muscle and fascia tissue is normal, but joint pain is a warning signal. Use aids like yoga blocks under your hands to elevate the bridge initially and reduce the pressure. Over time, the tissue will adapt, and you can remove the blocks to glide fluidly into the deep backbend.
Create space and length
The spine is mobilized through gentle, controlled movements. The focus is on stretching the front and creating space between the vertebrae.
Freeing the pelvis
The hip flexors are stretched intensely to free the pelvis. Only an open hip allows you to distribute your weight optimally in the bridge.
Warm muscles are more elastic and less prone to injury. At least ten minutes of light movement, such as walking or gently rotating your joints, optimally prepares your body.
Sharp pain in the lower back indicates compression of the vertebrae. Immediately ease out of the stretch and focus on extending your thoracic spine more.
If you have a healthy back and perform the movements gently, daily mobilization is ideal. However, intensive stretching sessions for flexibility should take place two to three times a week with rest days in between.
Learn Acro Dance: The guide to floor elements in dance
Learning the backbend from standing: Glide safely into the bridge
Acro Dance in Contemporary: Floorwork in modern dance
Learning the forearm stand in dance: Balancing on your forearms
Space usage in Acro Dance solo: Floor work techniques