It is easier to train together
On udansa you will find like-minded people who share your passion for movement, as well as suitable studios for your training. Connect today and take your dance acrobatics to the next level.
By Mary De LucaUpdated
On udansa you will find like-minded people who share your passion for movement, as well as suitable studios for your training. Connect today and take your dance acrobatics to the next level.
If you incorporate acrobatic elements into your choreography, you often struggle with gravity. A single posture error breaks the flow of movement and puts unnecessary strain on your joints.
Anatomical relevance
udansa exclusively lists genuine, anatomical posture errors that occur during solo floorwork elements.
Sports science foundation
All correction suggestions are based on sports science and dance training principles.
Independent selection
No payments or sponsorship funds from studios were accepted for the creation of this list.

Upper body, all levels, common in handstands
Anyone who does not actively pull their shoulders down and out will collapse. This blocks the cervical spine area and prevents free head joint movement in dance.
Hands, beginner to advanced, during elbow stand
Bending your wrists outward or inward shifts the entire weight onto the small bones of the carpus. Actively press your fingertips into the floor to relieve the joint.
Pelvis, all levels, typical in the bridge
An extreme arched back destabilizes your core. Without activating your deep abdominal muscles, you lose control over your legs in the air and on the floor.
Full body, beginner, while rolling
Anyone who thumps risks bruises and joint damage. Every descent to the floor must be cushioned by a controlled eccentric muscle contraction to maintain the flow.
Legs, all levels, visible during floor turns
Loose knees and lifeless feet not only ruin the aesthetic line in the room, but they also shift your center of gravity. Actively stretch your toes all the way to the tips.
Head, all levels, during cartwheels
Anyone who compresses their head into their neck blocks the natural line of movement of the spine. Your gaze should guide the direction, without hyperextending the cervical spine.
Breathing, beginners, for all strength exercises
If you hold your breath, your muscles will tense up and you will lose stamina. Your movement must harmonize with the flow of your breath to appear smooth and dynamic.
Find the right studio to refine your technique under professional guidance.
Modern Dance for kidsBerlin · Germany
Modern Dance & Akrobatik ab 10 J.Wednesday · 17:00 · Nov 11
Flow Motion Studio Wedding
If you want to avoid common mistakes in floor acrobatics while dancing, an anatomically correct alignment will help you. A stable foundation protects your joints and ensures that your movements appear effortless and elegant. Especially in contemporary dance, it is crucial to understand the anatomy in contemporary dance and the spine to cushion peak loads. For starters, it is best to use soft mats and work your way up to the hard dance floor step by step. Targeted strength building for acrobatics in dance is the best insurance against poor posture, as only strong deep muscles can stabilize the body in an inverted position. Take your time with the basics before you attempt complex transitions.
You can prevent a rounded back by specifically activating your deep core muscles. Keep your spine long and pull your belly button slightly inward to support the natural double-S curve, even under strain.
Your shoulders collapse when the stabilizing muscles around your shoulder blades are not active. Push yourself actively away from the floor instead of letting yourself hang into your joints.
Exhale consciously during the strenuous phase of the movement. Holding your breath increases the pressure in your chest, blocks movement, and leads to rapid muscle fatigue.
Learn Acro Dance: The guide to floor elements in dance
Flexibility for Acro Dance: Exercises for fluid moves
Learning the backbend from standing: Glide safely into the bridge
Acro Dance in Contemporary: Floorwork in modern dance
Learning the forearm stand in dance: Balancing on your forearms