Find your rhythm with udansa
On udansa you will find motivated training partners and professional courses that accompany you on your first steps in Hip Hop and Breaking. Sign up and start your training in a strong community.
By Mary De LucaUpdated
On udansa you will find motivated training partners and professional courses that accompany you on your first steps in Hip Hop and Breaking. Sign up and start your training in a strong community.
Before you attempt spectacular turns on the floor, your stance determines the dynamics of your dance. Learn how to build maximum stability and presence with the right posture.
Toprock refers to all dance steps and movements in breaking that are performed while standing upright. They serve as an entry into the dance to showcase the rhythm of the music and to prepare for the transition to the floor.
Anyone seeing a breakdance video for the first time is usually fascinated by the spectacular spins on the head or the seemingly weightless jumps. Yet behind every spectacular move lies an inconspicuous secret: the correct body posture in your stance. In breaking, the correct term for this dance form, everything starts standing up. Before you venture to the floor, you must learn how to stand on your feet in a stable, present, and springy way. Your stance is your business card in the circle of dancers, the so-called cypher, and it determines whether your movements appear dynamic or wooden.
The basic body posture differs fundamentally from classical dances. Instead of an outstretched, proud chest and a stiff spine, in breaking you look for the connection to the floor. This means that your center of gravity is low. The knees are always slightly bent, the pelvis is relaxed, and the upper body is tilted slightly forward. This posture is not a pose, but a functional necessity: only from this deep, elastic position can you react at lightning speed in all directions, start steps, or begin your way to the floor.
A common misconception among beginners is the belief that you have to pose in a particularly cool or casual way while standing by locking your joints. The opposite is the case. The perfect breakdance beginner stance is characterized by constant activity. Your feet are slightly more than shoulder-width apart, and your weight is evenly distributed on the balls of your feet, not on your heels. This keeps you mobile and allows you to shift your weight instantly.
Your arms do not hang limply at your sides, but are positioned bent in front of your body. Your elbows point slightly outwards, and your hands are loosely open or slightly clenched into a fist. This arm position not only protects your upper body, but also helps you maintain your balance when you move. Imagine you are a boxer in the ring: always ready to dodge, turn, or take a step. This constant state of readiness is the heart of the breaking basics while standing.
Correct
Wrong
If you do not show presence or rhythm while standing, you will not impress on the floor either. Your posture while standing is the foundation of your entire dance.
As soon as you have internalized the static posture, rhythm comes into play. In breaking, we never really stand still. Even when you are not performing any steps, your body moves to the beat of the music. B-boys and b-girls call this constant, springy up-and-down movement the bounce. The bounce originates deep in the knees and ankles and ensures that your entire body remains elastic. It connects your breaking body posture with the beat.
Once you have mastered these basics, you are ready for the first steps while standing, the so-called toprocks. An excellent starting point is, for example, the Indian Step, which is built on exactly this deep, springy posture. Only when your stance is stable and your bounce is in time with the music will your movements look natural and powerful. So take enough time to simply stand in the beat and feel the tension in your body before you venture into more complex step sequences.
Elastic movement in time with the beat
When bouncing, you spring loosely from your knees and ankles in time with the music. This movement keeps your muscles active, builds dynamics, and ensures that your steps look fluid and light.
Consciously stopping the movement
When freezing, you stop the movement completely for a brief moment to emphasize an accent in the music. This requires maximum body tension to stop the position absolutely cleanly.
Beginners should start with a shoulder-width stance, with knees slightly bent and weight on the balls of the feet. This position gives you maximum flexibility for your first steps.
The bounce is a continuous up-and-down movement from the knees that connects you to the rhythm of the music. Without this rhythmic spring, your movements will appear stiff and unmusical.
Your arms should be held at an angle in front of your upper body, with your hands loosely open or slightly closed. This helps you maintain your balance and protects your center.
Find the right course on udansa and learn the basics from experienced instructors.
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