Understanding the magic of asymmetrical rhythms
Traditional Balkan music fascinates with its unbridled energy, but it often sounds unfamiliar to Western European ears. While we grow up with even time signatures like 4/4 time, Balkan dance music is based on asymmetrical, odd rhythms. These rhythms are created by combining groups of two and three. Instead of counting evenly, short and long beats alternate. Once you have understood the principle, you will quickly notice that this structure develops its own unique, captivating dynamic.
To learn how to dance to these odd time signatures, it helps to take a look at the instrumentation. As described in our guide on drums & strings in world music, percussion instruments like the tapan or darbuka set the rhythmic accents. A 7/8 time signature, for example, is not perceived as seven even beats, but as a sequence of "short-short-long" or "long-short-short". The long beat stretches the movement elastically and gives dances like the Kolo or Oro their typical springy character.




