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Floorwork3 minutes

From standing to the floor: Contemporary floorwork guide

By Bernhard De LucaUpdated

In a nutshell
  • The fluid transition between standing and floor work is based on the controlled lowering of the center of gravity via spiral dynamics.
  • The joints act as sequential shock absorbers to fully absorb the impact on the dance floor.
  • The return to standing uses momentum and the pressure of the body against the floor to save energy.

Find your dance partner for Contemporary

At udansa, you will find like-minded people to practice the fluid change of levels with. Discover suitable courses and like-minded people in your area.

Find your dance partner for Contemporary

Gravity is not your enemy when dancing, it is your most important partner. With the right technique, you glide elegantly from a standing position into a deep movement without any jolts or impact, and you stand back up effortlessly.

What you need for training

  • Clean dance floor without splinters or obstacles
  • Long training pants and a long-sleeved top
  • Basic mobility in the knee and hip joints
  • Good core tension in the torso area

Understanding the physics of smooth gliding

The transition from an upright stance to the horizontal and back again is a central element in contemporary dance. Many beginners make the mistake of viewing the floor as a hard, opposing surface onto which they fall uncontrollably. A well-founded contemporary floorwork guide shows, however, that the key lies in continuous weight shifting and using your joints as shock absorbers. By learning to lower your pelvis in a controlled manner and using the spiral dynamics of your body, the floor loses its intimidating nature.

When you understand the physical principles of gravity and inertia, the movement becomes fluid. Instead of resisting the descent with muscular force, you use momentum to roll down smoothly. This not only protects your joints, but also gives your dance the typical, weightless aesthetic of contemporary dance. Mastering these transitions forms the foundation upon which later, more complex movement sequences are built.

The controlled transition requires an active core and a conscious yielding in the knee joints.
The controlled transition requires an active core and a conscious yielding in the knee joints.

Safely to the floor and back in 5 steps

  1. Lowering your center of gravity

    Lower your pelvis deeply by bending your knees and leaning your upper body slightly forward. You will feel how your center of gravity stabilizes and you get significantly closer to the floor.

  2. Initiating the spiral

    Turn your hips slightly to the side to create a spiral in your spine. This allows your body to move downwards on a curved path, which prevents a direct impact.

  3. Using your hand as a shock absorber

    Place one hand flat on the floor to gently cushion your weight. Let your shoulder yield softly, so that your arm acts like an elastic shock absorber.

  4. Roll in a controlled manner

    Roll over the outside of your thigh and your glutes to slide into a sitting or lying position. You will know you have succeeded when the movement remains completely silent.

  5. Rising up from the pressure

    Use the momentum of your pelvis and actively push yourself away from the floor with your hands. Direct the energy back through your feet into a standing position to effortlessly regain your vertical posture.

The most important do's and don'ts for level changes

How it works

  • Go deep using a spiral in the body
  • Release your own weight in a controlled manner
  • Use soft muscle areas to roll off

Better avoid this

  • Let yourself fall straight down
  • Fight against gravity
  • Land directly on your kneecaps or elbows

Your checklist for changing levels safely

Before training

Preparation

During the transition

Meanwhile

Frequently Asked Questions

  1. You prevent pain by spiraling your weight down and never hitting the floor vertically. Use the soft parts of your body to roll and avoid direct contact between bones and the hard surface.

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