From disreputable harbor dance to global cultural heritage
The roots of Argentine Tango lie in the late 19th century at the Rio de la Plata. In the crowded immigrant neighborhoods of Buenos Aires and Montevideo, the so-called conventillos, European migrants met African rhythms and the music of the local gauchos. From this melange of homesickness, hope, and loneliness, the raw history of dance music in South America emerged. In the taverns and brothels of harbor districts like La Boca, the Guardia Vieja tango, the old guard of tango, was formed. Back then, the dance was disreputable, highly improvised, and absolutely taboo in high society. Men often danced with each other on the street to practice the complex steps and to impress women in the dance halls.
The leap across the ocean into the Parisian salons
The actual turning point for the worldwide acceptance of tango occurred in the early 20th century in Europe. Young, wealthy Argentinians brought the dance to the entertainment districts of Paris. There, a veritable tango mania developed, which shocked and simultaneously fascinated the moral guardians of the old world. Only when the Parisian high society declared the dance socially acceptable did the attitude of the upper class in Buenos Aires change as well. Tango returned to its homeland cleansed and glamorous, conquered the grand ballrooms, and ushered in the golden age of the 1930s and 1940s. Anyone who dares to start today often searches specifically for a dance partner for Tango to feel this deep connection in the dance itself.
The revolution of Tango Nuevo by Astor Piazzolla
After a phase of decline in the 1950s, caused by political upheavals and the triumph of rock 'n' roll, the musical genre reinvented itself completely. The Astor Piazzolla story marks the beginning of Tango Nuevo. Piazzolla, who had studied classical composition in Paris, broke with the rigid traditions of dance orchestras. He integrated elements of jazz and classical modernism into the traditional rhythm and brought the bandoneon from the dance floor into international concert halls. Although he was initially attacked by traditionalists in Argentina, his musical revolution saved the genre from being forgotten and paved the way for the worldwide renaissance of tango at modern milongas.
